Monday, 29 May 2017

Video Cast




Additional photographers:


Sebastian Kim (fashion photographer):

Sebastian Kim published his first work at the age of 16, this broadened his fan base ever so slightly. However, at first Kim rejected the offer, enabling him to become Richard Avedon’s assistant photographer, whom he continued to work with for another 16 years. Throughout his 16 years of working with a professional, he found out that in order to succeed in the photography industry you have to collaborate with fellow photographers because not only does it allow the photographer to see the world, it allows them to gain inspiration and develop their own photography skills.
Most fashion photographers like Sebastian Kim make their money from commission work for big brands, companies, or magazine companies such as Vogue.






These are the main ways in which Sebastian Kim made money:

Kim mainly worked with global magazines such as Vogue, which enabled his photographs to appear in various worldwide issues e.g. American, Russian and German issues. His work also featured in the Tokyo issue of Numero fashion magazine.

Furthermore, he has various commissions for big brands such as Calvin Klein and H&M, as well as people like Nina Richi and John Galliano.

Purpose of his photography:

His main objective was to promote, advertise, as well as entertain his target audience; due to the fact that all his photography was for famous fashion magazines. His work had to reflect the latest fashion trends, making them look pleasing and professional whilst still having that artistic flare present, in order to engage the viewer. He does this by using interesting locations, poses composition techniques.
His work effected the audience in a positive and negative way.

Since the 1960’s were his prime years, he included some people of colour in his final projects; this caused vigorous outrages due to segregation in the USA however, in Europe at the time he hardly had any problems with using multi-cultural models as racism had slowly calmed down. Through later years in his career, the use of multi-cultural models actually enhanced the fashion industry because it provided people worldwide with optimism, people from all around the world would create their own fashion based on their country. All these different designs benefited the fashion industry in terms of variety and creativity.



Michael Kenna (art photographer):


Michael Kenna published his first project at the age of 31 at the Stephen Wirtz Gallery and The Weston Gallery, many people visited these galleries, his work caught the attention of many due to the way he combined fine art with landscape. He concentrates primarily on the interaction between the atmospheric condition of natural landscapes, and human-made structures.

Kenna has proven time and again that his vision knows no boundaries. Whether working along the shores of South Korea or the Great Wall of China, Kenna tends to take photographs of places of solitude, which speak volumes about humanity and the haunting beauty found in nature. Over fifty books, monologs and catalogs have been published on his work.





How he made money:

Michael Kenna has had shows in Africa, Asia, Australia, Europe, North America and South America. His photographs are among the most exhibited and collected photographers working today. They are held in permanent collections in, Paris, The National Gallery of Art, Washington DC, Tokyo Metropolitan Museum of Photography, and the Victoria and Albert Museum in London and many others. These museums provide revenue for Kenna through commissions and general sales, each time a new photograph is published more and more people are intrigued by his style; which evidently leads to more and more sales.

Purpose:

Michael Kenna looks for interesting compositions and arrangements within the natural landscape. He prefers to photograph in the mist, rain and snow clear blue sky and sunshine do not inspire him. He only photographs his work in black and white, as he believes that,



"Black and white is immediately more mysterious because we see in colour all the time. It is quieter than colour."




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